‘Highly readable and carefully researched’
Winnington’s highly readable and carefully researched biography rescues from historical neglect both an intelligent, creative, versatile, and appealing figure, the well-connected yet self-effacing Walter Fuller, and his no-less-remarkable sisters. It also sheds fascinating light on a surprising variety of networks – those of student politics, journalism, theatre, musical performance, peace activism, socialist campaigning, and radio broadcasting – on both sides of the Atlantic during the first three decades of the twentieth century.
(and biographer of Sir Norman Angell)
‘A truly first-class piece of research’ Your
intriguing account of this most far-sighted man drew me in completely.
Your analysis of Fuller is so very persuasive, your documentation on his
life and the peace movement is meticulous, and your prose is wonderfully
entertaining and effective. Fuller was indeed an admirable, courageous,
prescient man – tragically short-lived. I
write as someone with a good deal of knowledge on British and American
radicals and peace activists before and during the Great War. I can
confidently say, therefore, that your account is a truly first-class
piece of research, with a firm basis in the sources, and a most
perceptive analysis of the various forces at work in the evolving
tragedy both of US entry and the prolongation of the war. . . . It is an
immensely valuable addition to the literature on the peace movement
during the Great War.
Douglas Newton, who was the Associate Professor of History at University
of Western Sydney, authoritatively assesses Walter Fuller. He is
the author of: The Darkest Days; Hell-Bent; British Policy and the
Weimar Republic 1918–19; and most recently Private Ryan and the
Lost Peace: A Defiant Soldier and the Struggle Against the Great War. He
is currently preparing a history of the campaign to end the First World
War by negotiation.
‘Hands down the best account
of this fascinating man’ Walter Fuller, though too little known today, left an indelible mark on the twentieth century Atlantic world. We are fortunate indeed to have Peter Winnington’s biography.
‘Highly recommended’ Steve Arnold, broadcasting
historian and digitisation consultant at Radio Times (BBC),
writes on the
Radio
Times Archive site,
‘A unique picture of early 20th century England and America.
. . .
Well, cleverly, and entertainingly told. Never a moment’s pall’ Peter Winnington’s book uses
diaries and letters to paint a fascinating and intimate portrait of two
families from either side of the Atlantic, the Fullers and the Eastmans, who
united in a common anti-war spirit. This book is a model of how
history and biography should be written. It’s also a lesson in the fun to be
had and, as legitimately, the lessons to be learned from history. The
historical figures and events are all there, from Barrie’s Peter Pan, the
sinking of the Titanic and the death of Scott of the Antarctic, to Tinsel
Town’s Griffith and Charlie Chaplin, but they are always presented for their
personal impact on the lives of Walter and his sisters. Spin and celebrity
have no place in this book; a future president sits at a banquet beside Max
Eastman ‘and they conversed almost without interruption for two or three
hours’; Charlie Chaplin (‘the most highly-paid man in the world’) picks up
small coins from the floor after a game of charades. It’s a story
with lots of telling detail like this, lots of interest, and lots of light moments.
I burst out laughing more than once. Here’s Lord Reith at the BBC, his head
scraping the lintel, warning the abstemious Walter Fuller, ‘Now remember; if
I come into Savoy Hill one night and find the men playing cards and drinking
whisky, I shan’t blame them for it. I shall blame you.’ With wars
being waged on an hourly basis across the globe, one may be forgiven for
forgetting that a century ago a few individuals thought differently and
tried to stop the Great War. In a long letter to his sister Riss, Walter
describes his plan for an Exhibition against War. Many of his ideas are now
familiar from the misuse made of them in the 1930s by Hitler and Mussolini
for their propaganda. It was an ambitious project but its core is never far
from the surface, particularised by Walter’s internationalist perspective:
‘Then there would be a great plea for the Folk of the world. The quiet
peaceful, unknown peasant, artisan class of all nations who never want war –
we would show their arts and crafts – their songs, dances and drama.’ Walter Fuller’s career began and ended with magazine editing, first at
Owens College (which became Manchester University), and finally with Radio
Times at the newly formed BBC. Throughout, he stayed true to his early and
heartfelt liberal ideals. It is all well, cleverly, and entertainingly told. Never a moment’s pall. — Gerard Neill ‘A
terrific, encyclopaedic tour de force with a most human story at its heart’ This is such an enchanting book about such an
engaging, sweet-natured man – and indeed family – that it was
difficult to put down. I am not sure that I have ever
read another book like it: one that manages to bring to life such a
kaleidoscope of characters and yet keep the reader so focused on,
and interested in, the central character and his sisters. There is so much to comment on: the whole of the part
about Walter chaperoning his sisters around the US on their singing tours is
totally delightful, and the revelation of how Walter
introduced the concept of civil liberties into the USA – like
everyone else, I
had always assumed that they originated there – warmed my patriotic
heart. I was also fascinated to learn about many things,
including, for example, the virulence of the US campaign against
those opposed to the war and the extraordinary, in some ways
hilarious, very early days of broadcasting and of the BBC. I was
moved too by the precariousness of life in those days – how Walter’s
father goes bankrupt (with no social security to fall back on, of
course); the constant difficulty that Walter and Crystal, in
particular, have in finding jobs that last – and the sad social
strictures of the time which caused Basil to lead Riss into a childless marriage. In the end, it is the poignant unfolding of the
relationship between Walter and Crystal that moved me most about the book.
Their need for each other and yet their inability to live together for any
great length of time – either for pragmatic reasons or, more fundamentally,
because they both needed what we would probably refer to today as ‘space’ –
pulls at the heart, especially when one can guess, as the end of the book
approaches, that Walter has not long to
live. ‘For goodness’ sake,’ I kept telling them, ‘just
take that job, don’t get on that boat, go and live together!’ and,
of course, ‘please see more of your children!’ One feels
somehow that, much as he surely loved his children, Walter – and
perhaps Crystal too – was not made to be a day-in, day-out parent,
either because he was too absorbed in his next idea or because he
just needed more quiet than a family household would afford. And, of course, their deaths at
such a relatively early age, following so quickly one upon the
other, make for a heartrending conclusion. This book is a
terrific, encyclopaedic tour de force which manages to
contain, at its centre, a most human story. — Jonathan Mardall Price: Hardback £32, US$53, €39 (ISBN 978-2-9700654-2-5)
— Softcover £25, US$42, €30. ISBN 978-2-9700654-3-2
‘I like to think of myself as an
authority on the history of the magazine, but the research behind
this fascinating volume has been so thorough that there are items
new to me. Highly recommended.’
The background is the revival of
folksong. Under the management of their elder brother, Walter Fuller, three
sisters from Dorset, England, sang their away across America to
audiences as small as a household and as large as the Carnegie Hall, not to
mention Presidents Taft and Wilson.